In this series, I explore industrial harbour areas across Europe. At night, these buildings transcend their real dimension and appear as part of a “bestiary” or collection of fantasy creatures. In the post-industrial era, they come into sight as a vestige of another time, part of contemporary mythology that I try to shed light on. The night sublimates their transition from an object's status to the subject's status. Throughout this series, I apply the same photographic protocol (long exposure, same aperture, working with a tripod that blurs the limit between landscape and portraiture, making me reflect upon these buildings as posed subjects).
The magnificence of these steel and iron structures is emphasised by the reflection of artificial light surrounding them in the darkness of the night. In this situation, I see them as living beasts that breathe and pulse.